Gnomes, Fairies, Elves

Gnomes, Fairies, Elves

and Other Little People

$353.05 USD

Before Taxes and Shipping

About the Project

I acquired this book many years ago and it has been sitting on my shelf ever since. While it stared down at me working on other books, I never truly forgot about it. As time passed I would look up and see its tattered covers just begging to be worked on. So, once I had a free block on my schedule, I decided to get to work.

How to Purchase

There a couple ways to purchase this book. You can send me an email by clicking this link or check my listings on Etsy:

https://www.etsy.com/listing/1282731139/rare-gnomes-fairies-elves-and-other

Methods

Being that the subject matter was in line with folklore and mythology, I wanted to have an exterior that would reflect the magical nature of its contents – while not going too over-the-top. Since the range of folklore is so wide, covering many of the known mythologies throughout the northern world, I opted to not carve a specific motif for the covers. While it was something I wanted to do, I felt that choosing one would thereby exclude the others. And, as my old master would often say, “sometimes, simpler is better”. Knowing when to extravagate is just as important as knowing when to keep things simple.

The leather for this book is a first for me. I’ve worked with Morocco many times in the past, but this was the first time I’d been able to acquire Vegetable Tanned Morocco. I found a leather supplier in California who happened to have a single hide left. It was a bit thinner, which was to be expected, however, I was astonished at just how supple it was when it arrived. I could tell the moment I began working that this would be a special book.

To achieve the color I chose a water-based leather dye called Evening Violet. After three coats of dye, I felt the color was a nice hue of the purple I was going for. Additionally, I wanted to ensure that the title panel would stand out a bit, being an Orchid color of the same material (which is honestly one of my favorite colors to work with). I feel the Orchid-colored leather is just a fantastic, deep, nuanced material and I love any chance I get to work with it.

Gallery

Harry Potter & The Philosopher’s Stone

Harry Potter
&
The Philosopher's Stone

Harry Potter
&
The Philosopher's Stone

About the Project

I was contacted by a private collector about two years ago asking if I’d be willing to rebind their first edition set of the Harry Potter series. At first, I was a bit nervous, as rebinding a first edition is considered taboo in the bookbinding/book collecting world. The thought behind this is many collectors desire to have the first edition as it was originally published and sent out into the world, providing a window through time of the experience one has when first encountering a particular literary work. I provided some options that we could do to honor this practice, such as a clamshell box or even a slip case. But they were not deterred and insisted that I rebind it. They’d seen my work in the past and desired to have their collection rebound by Boston Harbor Bookbindery. I was of course flattered and thankful for their kind words. Thus, I began the process of designing the binding we’d go with.

The original book was very attractive and I found it difficult to redesign. I ultimately decided to take the original layout and inlay all the necessary pieces to the leather covers. It worked perfectly and the collector loved the idea. We’d essentially created a leather version of the first edition, with traditional methods proven to last much longer than modern publishing practices. 

The front illustration and title were in excellent condition and were not at all difficult to remove and replace, which was the same case for the signature on the back cover. 

The spine was decorated with a fine Morocco and treated with 18k gold tooling to accent the panels and raised bands. The title and author panels were onlayed with a lovely, rich “orchid” purple leather (one of my favorites to use).