Owolabi Letters Project

Owolabi Letters Project

Custom Design Binding and Clamshell Enclosure

About the Project

In early October 2025 I was contacted by The Nicest Space, a personal and business concierge, with a project for one of their clients. They asked if I’d be able to make a 3-volume set of the scanned letters from the client’s father and I was more than happy to help. While it is not often people ask me to make more than one book at a time, I am always excited to do this kind of work. 

I set to work right away, having the pages printed on acid-free/archival paper with great resolution. You can really see every detail of the letters, even if they’re smaller than the originals. When I asked them about the design they’d like me to draft for them, all they said was “the family likes tiger lilies”, which was all I needed. I made a few drafts for them to review and we selected the one that resonated with them the most, which also happened to be my favorite, too.

Later in the process, they asked if there was anything I could do for the originals. To which I suggested we make a custom clamshell box for them, keeping with the color scheme of the 3-volumes and working with bookcloth instead of leather. Since the letters were considerably large, using bookcloth is a more practical approach – and more cost effective.

The result is something I am quite proud of. This project really encapsulated all the aspects of my daily bookbinding practice – gold/silver tooling, custom design, clamshell boxes, and just a good quality book that will last for many years.

The Process

In all honesty, the process for this project was fairly straightforward. Beginning with the binding of the books and creating the text-block. The cases came next with a red title panel on the spine. With darker leather, I always enjoy working with silver type, as opposed to gold. While gold is always lovely, there’s something about silver that catches my eye, especially with black leather as the backdrop. Once all that was finished, I focused on the front cover designs, with each one being subtly different and distinct. Since the design was quite ambitious, I opted to execute the tooling before joining the cases to the text-blocks. It all went without issue and the process was incredibly fun.

Directions and Directing, by Alan Leo

Directions and Directing

An Introduction to Predictive Astrology

Custom Design Binding

"The deep pulsations of the world, Æonian music measuring out the steps of Time - the shocks of Chance - the blows of Death.

About the Project

In early February 2026, my wife brought me this little book from her collection at the Celestial Arts Education Library, and it needed a little love. Actually, it needed a lot of love, but I was more than happy to work on it. There was something about this book that stood out to me, and I was instantly charmed by it. Its size betrays its impact on the world, as my wife expressed its value in the Astrological community, being a core text for predictive astrology. 

Once I began working on it, I felt an immediate connection to the book, and I enjoyed every step of the process. Once the repairs were finished, I rebound the signatures with archival materials and used fine sheepskin leather to cover it. For the design, I employed the cuir-ciselé technique to carve and bevel a “radiating planet.”

I am very happy with the result and I feel this book can now be enjoyed for many years to come. Breathing life back into much-loved books is a special kind of joy for me in the bindery, and I am thankful to have the opportunity to work on projects like this.

More about the Book

Herbert S. Green (1861-1937) was an English astrologer who collaborated on many publications with Alan Leo (1860-1917), “the most famous and influential of the modern English astrologers,” according to historian J. H. Holden. Born William Frederick Allan, Leo emerged as a leading figure in the European revival of astrology during the early twentieth century. Around the turn of the century, Green joined Leo’s publishing team, compiling data, editing, and also writing textbooks and leaflets. Directions and Directing: An Introduction to Predictive Astrology is Manual 5 in a series aimed at students of astrology, and it remains one of the most succinct technical manuals on prediction. Most importantly, this book presents the first citable evidence for the modern interpretation of converse progressions, a now-rare technique that flourished in the 20th century following the publication of this book. Green’s discussion of converse progressions challenges our Cartesian experience of the space-time continuum, positing that events happening before one’s birth have a corresponding effect throughout one’s lifetime.

This third edition of Directions belonged to the late Al H. Morrison, an influential career astrologer from New York City, who popularized the Void-of-Course Moon and pioneered research on the astrological significance of asteroids. In June of 2025, Morrison’s estate bequeathed his astrological library to the CAELi Institute located in historic Tumwater, WA. Upon finding the book in precarious condition, the library’s director brought it to me to see how we could save this historic text, both in its content and provenance. The director, familiar with my work in curliquesieessesse, asked if it would be possible to create a leather binding that captured the spirit of the original cover’s artwork, but made it more like a relic, a fossil, something lost to the ravages of time.

The Process

As mentioned above, this book needed a lot of love to bring it back to life. I wouldn’t say there was anything out of the ordinary for a book this old, so it was fairly straightforward. For the rips and tears, I applied a mixture of methyl cellulose and PVA glue with Japanese Conservation paper. Color-matching the original paper with the correct Japanese paper is always very rewarding, as the repairs can be seamless if done correctly. 

Once the repairs were finished and the paper was in good condition, the binding process was just like any other book. I’d say my only alteration from my normal process was using a tabletop method for sewing. Since the book was so small and still a bit fragile, I opted to use this method so as not to put any undue stress attaching it to the sewing frame. 

The design is a hand-drawn draft inspired by the original cover. Instead of working with Astrological symbols, I wanted to take a more “planetary” approach.

Sophia’s Journal

Sophia's Journal

Custom Design Binding

“No Risk, No Story.”

About the Project

Design bindings are fun to create, especially when it is for someone who is doing such wonderful work. This project is a gift to my niece to celebrate the wonderful path she is on and the ambition she holds for her future. 

Combining modern aesthetics with traditional tooling, this project provided a chance to express an artistic vision that captures the elements she enjoys the most. I’m happy with how it all came out and I’m exceptionally proud to give this to her.

L Frank Baum Collection

L. Frank Baum Collection

Restoration and Rebinding

“The sun always shines, and its rays are perfumed.”

About the Project

Rebinding and restoring old books is a very rewarding process, both for me and my clients. Each book I work on has its own needs, and these three are no exception to that. Every technique I’ve learned over the years was employed in this project – paper mending, inlay/onlay, rebinding and hinge repair. When working on a set of books, I always take extra care to match the sizes so that they fit together on the shelf and are inline with one another. 

The result is a great collection of books that will last a lifetime and will be wonderful gifts to future generations.

Under the California Sun 2025

Under the California Sun

Custom Design Binding

“As I reach the Autumn of my life, I wonder how I will be remembered”

About the Project

This book has always had a special place in my heart, and it’s one of my favorite books to make. 

This is the sixth printing of Under the California Sun that I’ve had the honor of making and I look forward to making many more. Commissioned by a family member, I am excited for them to receive their copy and celebrate the man we all love and cherish.

To learn more about the history of this book and its journey to publication, click the link below